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VIDEO PRODUCTION GEAR RENTALS

CAMERAS

The MONSTRO VV 8K is arguably the best camera on the planet right now.

The full-frame sensor boasts up to 17 stops of dynamic range and can record the full image circle of full-frame 35mm lenses. You can also use Super 35mm lenses with a windowed capture area for high frame rate recording. Sitting in front of the full-frame sensor is an interchangeable PL mount. This way, you can use industry-standard cinema lenses right out of the box, or exchange the mount to use alternative photo and video lenses.

REDCODE RAW is the format of choice for DSMC2 cameras. RED’s versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding. Though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. Our DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop.

Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.

The RED DRAGON™ sensor has vastly improved dynamic range and low-light capabilities.

With the RED DRAGON™, skin tones are softer, primary colors are more vibrant, and subtle color variations are discernibly remarkable. EPIC DRAGON cameras capture images that are true to life, with colors that can only be described as “brilliant.”

HIGHER DYNAMIC RANGE

The RED DRAGON offers a dynamic range that was once thought impossible for a digital sensor. Such wide latitude provides cinematographers and photographers alike with the ability to take on challenging lighting conditions without the need for excessive filtration. Improved low-light capabilities let you shoot at ISO 2000 and still produce a clean image fit for theaters or publication. Dilated exposure and improved sensitivity make it easier to take on the unpredictable and capture the unbelievable.

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The RED ONE was RED Digital Cinema’s first production camera. Using an S35mm image plane, the RED ONE displays a natural depth of field from 2K to over 4K resolutions.

The first RED ONEs were outfitted with the 12-megapixel MYSTERIUM sensor capable of capturing up to 120 frames per second at 2K resolution and 30 frames per second at 4K resolution. The only possible acquisition format is REDCODE RAW. The cameras were initially sold with a CF card slot that later could be replaced with a REDMAG module.

The second generation, RED ONE MYSTERIUM-X has a 14-megapixel MYSTERIUM-X sensor. It captures up to 120 frames per second at 2K resolution and up to 30 frames per second at 4K resolution. With the upgraded sensor, the RED ONE MYSTERIUM-X offers a more dynamic range, higher sensitivity, and enhanced color management tools than the RED ONE MYSTERIUM.

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Fujifilm X-T3 is a versatile mirrorless camera characterized by its high-speed performance, more-than-capable imaging, and multimedia flexibility.

Revolving around a newly developed image sensor and processor, both high-resolution stills and 4K video can be recorded while an apt autofocus system delivers quick and accurate focusing performance. The sensor, a 26.1MP APS-C-format X-Trans CMOS 4, features a back-illuminated design, to promote greater image quality throughout the sensitivity range, along with an expansive 2.16m-point phase-detection autofocus system for quick, precise AF performance and subject tracking. Complementing the imaging and focusing is the X-Processor 4, which uses four CPUs for faster image processing as well as continuous shooting up to 11 fps with a mechanical shutter, 30 fps shooting at a 1.25x crop and electronic shutter, and internal 4K60p 10-bit video recording.

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SOUND

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LIGHTING

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DRONES

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GRIP

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LIVE

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LENSES

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COMPUTERS

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