Sound is 70% of What We See
Music is tied closely to emotion and memory, because of this audio can be one of the most convincing marketing tools. Don’t let your efforts in post-production get lost with the wrong sound. The right audio choice over strong visuals can make a lasting impact on your audience.
We will collaborate with you in producing quality audio material that uses both emotion and memory to connect your brand to the right audience. Utilizing audio softwares like Fairlight, Logic, and Protools to professionally mix your audio, we’ll produce the proper sound for you needed to keep your audience comeback to your brand.
Audio recordings are rarely perfect raw. Background noise, pops, and clicks are all unavoidable sounds that can make your audio sound unclear. To fix this we use tools in Fairlight like the ADR, automatic dialog replacement tool, to quickly and easily re-record muddled parts of your audio.
DIALOGUE FROM A SCENE
RAW
PROGRAM USED: None
PLUGINS USED: None
PROGRAM USED: Fairlight
PLUGINS USED: Fairlight FX Noise Reduction,
Nectar 3 Plus
PROGRAM USED: Fairlight
PLUGINS USED: Ozone 9
Setting Up Mix Session
Labeling and Changing Track Color
Loudness Metering
Using Fairlight
We have the latest software and audio equipment. High-quality sound has always been at the core of our productions.
C&I Studios can provide you and your brand with full audio production services. From from dialogue cleanup, audio restoration, automated dialogue replacement, Foley, and sound effect design. We also house an expert team of audio engineers and musicians who are laser-focused in their craft.
SOUND
These are multitrack recorders: the F4 has four XLR/quarter-inch combo jacks, the F8 has eight, allowing connection of multiple microphones (or other audio sources) simultaneously.
The F4 and F8, Zoom has moved decisively into the realm of truly professional recorders. They’ve improved the sound quality and added professional details such as:
- balanced line-level outputs
- time code inputs and outputs
- hirose power connections
- multiple memory-card slots
- flexible internal routing of audio signals.
The Schoeps CMC6-U microphone preamp is a balanced output stage and +12 to +48V phantom power supply for the Schoeps Colette series modular capsules. The transformer-less output stage ensures low-noise and pristine audio reproduction throughout.
The CMC6-U is terminated with a standard balanced 3-pin XLR connection for use with standard microphone inputs and preamplifiers. It can be used with very long cables and is well-protected against RFI (radio frequency interference.
The MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.
- increased directivity due to interference tube principle
- very low inherent self-noise
- high sensitivity
- transformerless and fully floating balanced output
- rugged, suitable for adverse climate conditions
Zaxcom is well known for the high-quality sound of its pure-digital wireless mic systems. While there are some competing brands with digital systems on the fringes that may eventually need to be considered, Zaxcom is currently the only significant player.
The range of the Zaxcom TRX742 system is well within the needs of most productions, and when the goal is to have the wireless boom sound as much like a hard-wired mic as possible, Zaxcom is the clear leader. While the Zaxcom TRX742 plug-on transmitter can turn any mic that has a 3-pin or 5-pin XLR connector into a wireless simply by plugging it on, the most challenging use for a wireless system is the boom mic for dramatic dialog. So this review will be limited to the wireless boom.
Zaxcom has added versatility to the TRX742 transmitter with changeable XLR input adapters, which Zaxcom calls “cones”. There is a 3-pin cone for standard microphones (48V phantom), a 5-pin cone for stereo microphones (48V phantom), and 3-pin digital cones for both AES-3 and AES-42 microphones (10V phantom).
Sanken has introduced the COS-11D, which overcomes RFI (radio frequency interference) from the digital transmitter.
In today’s wireless transmission systems the microphone must remain unaffected by new forms of digital transmitter signals. They present new challenges in the area of emission protection. In many cases, noise levels increase and the S/N ratio is deteriorated by the interference of digital transmitters. Sanken has designed the COS-11D specifically to diminish the instances where interference is an issue. The COS-11D is an omnidirectional lavalier microphone. This microphone has been fitted with the TA5 Universal locking connection for Lectrosonics transmitters.
K-Tek has always considered the boom pole to be an extension of the audio professional’s arm.
It is essential that a good boom pole has a natural design that simply extends the reach of the microphone, quietly and lightly towards the sound or voice being recorded.
The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules.
A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
- Lobar pick-up pattern
- Highly directional
- Very low inherent self-noise
- High sensitivity factor
- Wide frequency response
Specifications:
- Pick-up pattern: lobar
- Sensitivity in free field, no load (1kHz): 50 mV/Pa +- 2,5 dB
- Nominal impedance: 200 Ohm (K6)
- Min. terminating impedance: 1000 Ohm (K6)
- Equivalent noise level: 10 dB
- Equivalent noise level weighted as per CCIR 468-3: 21 dB
- Dimensions: d 22,5 x 343 mm
- Weight: 100 g
Fast. Flexible. Professional.
The characteristics of the Sennheiser G3 Lavalier Mic make the ew 112-p G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on Omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.
Gain your Audience’s Attention
with High-Quality Sound
No one does it better than C&I Studios when it comes to authentically harnessing the power of audio. Our audio production team has a range of experience producing original, memorable, results for many complex marketing campaigns.
When you hire C&I Studio to audio produce your next tracks, you will be guaranteed professionally mastered audio tracks that are dynamically mixed, balanced, and clear of unwanted noises. Another bonus when your work with C&I Studios is if you don’t have the timeframe or the budget to hire us for full audio production services, we have hundreds of original songs to choose from in our gallery of original music by The Delorean.