Your Vision with Perfect Post Production Services
At our core, we believe post-production is where the magic happens—where raw footage transforms into a captivating story, where colors breathe life into scenes, and where every frame resonates with purpose.
Whether you’re creating a feature film, a commercial, or a documentary, we bring the technical know-how and creative finesse needed to elevate your project to new heights. Explore our suite of post-production services and discover how we can help bring your vision to life.
A Complete Post Production Pipeline In House
Post production at C&I Studios is not outsourced, stacked with freelancers, or split across vendors. Editorial, color, sound, and finishing all happen in-house at our 30,000 sq ft Los Angeles studio, with the same team that handles post for our own commercial and film productions. That matters for one reason. When the editor, colorist, and mixer sit in the same building, revisions take hours instead of weeks.
Editing & Story
Our editors cut commercials, brand films, documentaries, music videos, and episodic content. Every edit starts with story structure, selects, radio cuts, and assembly, before a single effect is applied. We work in DaVinci Resolve Studio and deliver conformed timelines, not just exports, so your project stays flexible.
Long form gets the same treatment as a thirty second spot. Documentaries, episodic work, and brand films all start with a paper edit and a selects reel, so the story is settled before anyone spends a week on polish.
You see the cut early and often. Rough assembly first, then a picture lock pass, with review links your team can comment on by timecode. Notes come back on the timeline instead of a long email thread, so nothing gets lost between rounds.
Color Grading on Calibrated Displays
Color is graded in DaVinci Resolve, the industry standard for theatrical color, on calibrated reference displays. From matching multi-camera footage to building a signature look for a brand campaign, grading is where footage becomes cinematic.
Audio Mixing
Dialogue cleanup, sound effects, music licensing guidance, and broadcast-compliant mixes. We deliver stems and full mixes to spec for broadcast, streaming, theatrical, and social. Mix reviews run as screen share sessions, so you hear every change as we make it.
Most of what we fix started on set. Wind on a lav, a room with too much slap, two takes recorded at different levels. That gets cleaned up first, then the mix is built around the dialogue so it sits where it should before any music goes in.
We check the mix on more than one system, because a spot that lives on a phone speaker behaves nothing like the same cut played loud. If you need ADR, a voiceover pickup, or a music swap later, the session stays open and the stems are already split, so a new version does not mean starting the mix over.
Motion Graphics & Titles
Title design, lower thirds, logo animation, screen replacements, cleanup, and compositing. Graphics are built to your brand guidelines and delivered with editable project files when you need them.
Versioning & Delivery
Cutdowns, aspect-ratio reframes (16:9, 9:16, 1:1, 4:5), closed captions, subtitles, and translation. One master becomes an entire campaign’s worth of deliverables, formatted for every platform and spec sheet.
Vertical, square and widescreen all come out of the same edit. Reframing is not a crop, so every version gets its own framing pass and the subject sits where it should in every shape.
Every platform wants something different. We handle the spec sheet so you do not have to read it, which means the right codec, frame rate, loudness target, caption format, and file naming for each destination.
Captions and subtitles are timed and proofed by a person, not dropped in from auto transcription and left there. If you need a language pass, translation runs against the same timeline so the timing still matches the cut.
9:16
4:5
1:1
16:9
Delivery Times
On Site
Same Day
Next Day
Standard
10 to 15 business days
Your Editor Is Down The Hall
Our editors are local and they work here full time. Nothing is handed off to an overseas contractor pool, so the person cutting your project is someone you can actually reach.
If you want to be in the room while it happens, we have the bays and the availability for it. Sit with your editor and work through the cut in person, or join a live Zoom session and give notes while the timeline moves in front of you.
The same editor stays on your project the whole way through. They learn the footage, they know what you already rejected, and revisions do not start over with someone new reading a brief for the first time.
Common Questions About Post Production Services
Can you take over a project someone else shot?
Yes — a large share of our post work is footage we did not shoot. Send us your media (or a link), and we will assess the material, flag any technical issues, and quote the edit before you commit.
How do remote reviews work?
Every project gets a review link with frame-accurate, timecoded commenting, so your team can give notes from anywhere. Remote editing sessions are available when you want to sit in on the cut live.
What formats and cameras do you support?
Everything current: RED, ARRI, Sony, Blackmagic, Canon, iPhone footage, screen recordings, and archival media. 8K timelines, HDR delivery, and broadcast QC are part of the standard pipeline.
How long does post production take?
A single commercial or brand video typically runs two to four weeks through final delivery; social cutdown packages and event recaps move faster. Rush timelines are a scheduling conversation, not a surcharge surprise.
Post production is one part of our full-service offering — explore our video production services, film production services, and AI video services, or see how branded content series keep the pipeline running month after month.