SiriusXM Super Bowl LIV
Live Stream Production
The first time SiriusXM brought C&I Studios on board was the start of a relationship: ever since, we’ve been asked back to produce the live stream of its Super Bowl coverage. For Super Bowl LIV we streamed every SiriusXM show across a full week, handling graphics, tickers, and overlays for Pitbull’s Globalization, Shade 45, Mad Dog Sports Radio, Kevin Hart’s Laugh Out Loud Radio, Radio Andy, Joel Osteen Radio, and the NFL’s radio channel.
The hours were brutal and the pressure never let up, but our team adapted and overcame every obstacle to deliver a seamless stream with flawless continuity for the most-watched event on cable television. The photography on this page tells the story across both engagements.
SiriusXM Super Bowl LIV
Live Stream Production
The first time SiriusXM brought C&I Studios on board was the start of a relationship: ever since, we’ve been asked back to produce the live stream of its Super Bowl coverage. For Super Bowl LIV we streamed every SiriusXM show across a full week, handling graphics, tickers, and overlays for Pitbull’s Globalization, Shade 45, Mad Dog Sports Radio, Kevin Hart’s Laugh Out Loud Radio, Radio Andy, Joel Osteen Radio, and the NFL’s radio channel.
The hours were brutal and the pressure never let up, but our team adapted and overcame every obstacle to deliver a seamless stream with flawless continuity for the most-watched event on cable television. The photography on this page tells the story across both engagements.
Broadcast Graphics
Live Graphics, Tickers, and Overlays
We ran broadcast graphics in real time across every channel: building and triggering the animations that open each show, the lower-thirds and tickers that carry it, and the overlays that brand the stream. When assets came in low-res or in the wrong format, our team built new ones on the fly, designing graphics live as the stream was in motion.




Under Pressure
Solving It Live, On the Fly
Every production has its own challenges, and live coverage at this scale magnifies them. Every fix happened in the background of a live program, with no viewer, host, or producer noticing.
Built on set to switch between channels as the broadcast moved.
Rebuilt on the spot when they came in low-res or the wrong format.
Answered mid-broadcast, with no break in the stream.
The pressure was real, but staying calm and keeping the show running is exactly the job. Many of these obstacles were out of our control, yet they fell on our shoulders, and our team handled every one. They nailed it.
Asked Back, Camera in Hand
Our first Super Bowl with SiriusXM led straight to the next. When the network asked us back, we widened our role beyond live streaming into event photography, working the floor of SiriusXM’s Super Bowl set and capturing the many recognizable faces who stopped by to talk football, break down the game, and take their turn at the tables.
It’s the same eye we bring to SiriusXM’s music coverage, where we’ve photographed artists in live performance across the country.



Asked Back, Camera in Hand
Our first Super Bowl with SiriusXM led straight to the next. When the network asked us back, we widened our role beyond live streaming into event photography, capturing the many recognizable faces who stopped by to talk football and take their turn at the tables. It’s the same eye we bring to SiriusXM’s music coverage, where we’ve photographed artists in live performance across the country.









